Tina Girouard
e-flux
·Spring 2024
Performance art offers its viewer what other visual forms can’t: a direct address in real time. Yet in the years that follow its realization, the medium is susceptible to misremembering, or worse, indifference; its curators frequently resort to displaying a work’s discards in an effort to recreate the experience of its unfolding after the original audience has, quite literally, moved on. . .